Bustle have released an interview with Alexander Skarsgard today, in which he talks about the sex scenes in Diary of a Teenage Girl and the double standards of female sexuality.
“It was important to layer their relationship and not make him solely a predator,” says Alexander Skarsgard of his “Diary of a Teenage Girl” character character. In the film, Skarsgard plays a man who’s sleeping with his girlfriend’s 15-year-old daughter, played by newcomer Bel Powley, in 1970s San Francisco. Based on a graphic novel adapted by writer/director Marielle Heller, the movie unfolds without side-stepping around the controversial issues at hand.
“It was very emotional,” Skarsgard says of watching the film for the first time at Sundance Film Festival 2015. “It’s always fun when you watch it for the first time to listen to the audience and see what they find funny.” Like what? “Bel giving me a blowjob, apparently that was funny.”
The 22-year-old actress from the UK and the True Blood star shared at least a dozen sex scenes together as teenage Minnie and 30something Monroe — some carnal, others funny, and a few even sweet. But for all of them, Skarsgard has the same advice: “You can’t over think it. You have to be in the moment and play the character,” he says. “Minnie in many ways is like a young child, very juvenile and inexperienced. I thought it would be interesting if Monroe had that quality as well,” he explains. “He can almost be like the same age as Minnie in some moments. He’s like a teenage boy. But then he catches himself: ‘Oh shit, I’m in bed with a 15-year-old girl, and this is my girlfriend’s daughter,’ and then he becomes suddenly a mature grown-up guy now. Minnie symbolizes youth, something he’s desperately holding on to.”
The Diary of a Teenage Girl is neither a cautionary tale or a preachy anti-sex PSA. Actually, it’s the opposite. ”It’s something I’d never seen before: A coming-of-age story about a girl that’s raw, addressing issues that are taboo,” Skarsgard says. “These themes are often legitimized when it comes to guys, but for girls, we aren’t supposed to talk about sex the way Minnie does.”
As writer/director Heller pointed out, setting the film in the 1970s gives the audience a “buffer” when it comes to accepting Minnie’s sexual promiscuity and experimentation. “It’s in the wake of free love,” Skarsgard says. “It was a time of experimentation and letting your kids make their own mistakes. Sexually as well, experimenting with sleeping with a guy, a girl, two girls…”
Skarsgard has noble hopes for the film’s reception: “I hope that girls see this film and realize they’re not weird,” he says. “That it’s OK as a young girl to think about sex. This movie never feels like, ‘Well I’m a female filmmaker making a story about a young girl, this is so brave of me…’ it just feels like such a true story.”